Parks, Walks and Gardens

Parks, Walks and Gardens

Parks, Walks and Gardens

outdoors

PARQUE DE LA ERETA
PARQUE EL PALMERAL
PARQUE EL PALMERAL
PARQUE CANALEJAS
PARQUE DE LA MARJAL
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PARQUE DE LA ERETA
PARQUE EL PALMERAL
PARQUE EL PALMERAL
PARQUE CANALEJAS
PARQUE DE LA MARJAL
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Most of Alicante’s parks, walks and gardens are remarkable for their beauty and location, as well as for the presence of protected species of majestic trees, for example: Canalejas Park, El Portal de Elche or the Gabriel Miró square with its over 20-meter high century-old ficus tree.

LA ERETA PARK:
These gardens offer a large central square, winding hillside paths, shaded areas, fountains, a cafeteria, a performance area (with underground dressing rooms) a panoramic restaurant, and an exhibition hall.

Due to the peculiar morphology of La Ereta, building the park was a challenge but an interesting architectural work successfully arose from it. The lower section of the park is directly connected to the Historical Centre, and its spaces and vegetation have a more urban look. Approaching the Castle, we find the olive tree slope and Ereta Square.

EL PALMERAL PARK:
This is one of the city’s most spectacular parks. It includes a forest of palm trees, ponds, lakes, artificial streams as well as an outdoor pavilion and a free car park.

CANALEJAS PARK:
A beautiful fountain stands in the centre of the square together with a century-old ficus tree over 20 meters high and a nineteenth-century cafeteria. This location has a distinctive nostalgic and autumn feel.

LA MARJAL PARK:
This flood park was awarded the 1st ‘Albert Serratosa’ City and Territory Prize. It is situated in an urban area and was developed on marshlands. The site stores rainwater and prevents floods during torrential rains.

Santa María Basilica

Santa María Basilica

Santa Maria Basilica

History and Architecture

The Basilica of Santa Maria is the oldest religious building in Alicante, with its original construction dating back to the 14th century. This imposing Gothic temple, renovated in the 15th century after a fire, features a Baroque façade that reflects the contrast between its rich history and its architectural evolution over the centuries. Its asymmetrical towers, built between the 14th and 18th centuries, add a unique visual appeal, making it an ideal setting for any film production seeking a historical or dramatic atmosphere.

Inside, the basilica boasts a splendid Rococo high altar from the 18th century and richly ornamented chapels, such as those dedicated to the Immaculate Conception, Baptism, and Communion, creating perfect spaces for filming scenes requiring a solemn or highly aesthetic setting. The 1653 Valencian Baroque organ and the 16th-century baptismal font are additional visual elements that lend authenticity to any production aiming to capture the splendor of past eras.

A Cinematic Setting

The Basilica of Santa Maria is an ideal location for audiovisual productions of historical, dramatic, or period genres. Its Baroque façade, featuring the Virgin Mary sculpture by Juan Bautista Borja, combined with its intricately decorated interior, provides a majestic backdrop suitable for a wide range of genres, from religious films to historical dramas and thrillers.

Its main nave, without a transept, and the chapels nestled between the buttresses offer flexibility for diverse shot compositions and scenes. Meanwhile, the light streaming through its large Gothic windows adds a natural dramatic effect that enhances key elements of the visual narrative.

Adjacent Spaces

Beyond being an architectural gem, the basilica is strategically located near other cinematographically valuable sites, such as the Museum of Contemporary Art (MACA), the Plaza de la Santísima Faz, and Alicante’s City Hall. This allows for a fluid and versatile visual narrative that can seamlessly integrate both historical and modern exterior settings.

Technical Specifications for Filming Interior:

  • Main nave and chapels: Spacious interiors, perfect for long shots or choreographed action sequences. Controlled lighting is recommended to preserve historical elements.

  • Natural lighting: The interior benefits from natural light filtering through its Gothic windows, though artificial lighting may be necessary. Care should be taken not to alter the historic ambiance or damage surfaces.

  • Sound: The acoustics are exceptional due to the high vaults, making it an ideal location for capturing dialogues or musical scenes. However, preliminary sound tests are advised due to potential reverberations typical of such spaces.

Exterior:

  • Baroque façade: Ideal for wide shots or establishing shots that highlight its symmetry, punctuated by the two asymmetrical towers. Perfect for setting the historical context of a scene.

  • Plaza de Santa Maria: The exterior space in front of the basilica allows for the deployment of technical equipment, including cranes and cameras for panoramic or aerial shots.

Public Space Use and Safety Located in Alicante’s historic heart, any filming at the Basilica of Santa Maria must be carefully coordinated to minimize disruption to local traffic. Key planning aspects include:

  • Permits and authorizations: Managed through Alicante Film Office, authorization is required for public space occupancy, both in the plaza in front of the basilica and surrounding streets.

  • Set installations: Temporary sets may be installed around the plaza, provided they do not obstruct main entrances and that pavement and architectural surroundings are protected.

  • Public safety: If the plaza or parts of it are closed off, safety barriers and proper signage must be implemented to redirect pedestrians and ensure the safety of both the crew and the public.

  • Loading and unloading: The proximity to City Hall and other historic plazas offers nearby points for equipment loading and unloading. Coordination with local authorities is recommended to secure temporary vehicle access to restricted areas.

Facilities and Amenities

  • Loading and unloading zones: Nearby areas can be designated to facilitate equipment transport.

  • Electrical access: Portable generators may be necessary, subject to prior approval.

Parking Production trucks and support vehicles can arrange parking through Alicante Film Office. Given the limited access to the historic district, checking parking conditions in advance is advised.

Filming Availability

  • Hours: The basilica maintains regular worship and tourist visit schedules, so filming may need to take place outside these hours or on special days.

  • Best days for filming: Coordination with Alicante Film Office is recommended, as tourist traffic around the basilica may vary.

INDOORS

OUTDOORS

Application for a filming permit

Filming permits must be applied for through the appropriate institution. If you have any questions, you can contact the Alicante Film Office:

E-mail: info@alicantefilmoffice.com
Phone: (+34) 965 148 113 / (+34) 965 177 052

Important information:

For road closures or to reserve a space for parking production vehicles it is mandatory to obtain a permit which requires the approval of the Department of Safety and Traffic of the City of Alicante. For more details, see the filming permit application form.

At least 30 days are required for processing the necessary permits.


Data Production Company









Type of production

Feature filmAdvertising spotTV programDocumentaryShort filmMusic videoOthers


Filming data

Filming with hand-held camera only






Filming date


Location map


Traffic interruption


Traffic interruption area map

Space reserved for filming vehicles

Vehicle reservation area map


Technical material

TripodTravellingCamera carGeneratorCraneOthers


 

In accordance with Data Protection Legislation, Regulation (EU) 20161679 of 27 April 2016, we inform you that your personal data will be processed, under the responsibility of the Municipal Tourist Board, in order to implement or answer your request appropriately.

• The data will be processed exercising the powers attributed to the Municipal Tourist Board by Law 7/1985 of 2 April, Regulator of the Basis of the Local Regime, and by Law 39/2015 of 1 October, Common Administrative Procedure of Public Administrations, and will not be ceded to third parties, except in the case of legal obligation of assignment to other organisms.

• By means of a request addressed to the Municipal Tourist Board, you may exercise your rights of data access, rectification, deletion and portability as well as limitation or opposition to its processing.

• Additional information: You can consult additional and detailed information on Data Protection on our website:
https://www.alicantefilmoffice.com/en/privacy-policy/

Fees

Municipal fees for the use of public spaces for filming must be paid to the Alicante City Council through the Public Space Occupation Department. Regulations and rates vary depending on the type of production, filming locations, and duration at each site.

If you have any questions, feel free to contact us: info@alicantefilmoffice.com, Tel: (+34) 965 148 113.

View Public Space Occupation Fees

https://www.alicante.es/es/normativa/tasa-ocupacion-temporal-terrenos-uso-publico-ejercicio-actividades-comerciales

Address

Basílica de Santa María
Plaça. Santa María, 1, 03001 Alacant
Tel:(+34) 681 140 483
basilicaalicante@procuratiocultural.com
https://www.basilicaalicante.com/

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

indoors

san nicolas3
6. Alicante. Concatedral de San Nicolás de Bari (3)
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san nicolas3
6. Alicante. Concatedral de San Nicolás de Bari (3)
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The building of the Co-Cathedral of San Nicolas started in 1600, on the site of a former construction. The cathedral is Herrerian Renaissance style and is located in Alicante’s old town.

The church has a Latin cross layout. Inside, the fifteenth century cloister with two baroque doors, the altar and the 45-meter high blue dome stand out. The Communion Chapel, below the dome, is regarded as one of the finest illustrations of Spanish Baroque.

The interior was recently restored to celebrate the exhibition “La Luz de las Imágenes” in Alicante city, whose mission is to recover and disseminate Valencian artistic heritage.

Alicante’s Town Hall and the picturesque neighbourhoods of Santa Cruz and San Roque are very close to the Co-Cathedral of San Nicolas.

Explanada de España

Explanada de España

Explanada de España

The Explanada de España runs parallel to the Marina, offering a unique atmosphere. This promenade is flanked by rows of palm trees, creating a visually appealing and shaded landscape that allows for a wide variety of shots. The Explanada’s pavement is decorated with 6,600,000 tricolored marble tiles forming a wave-like mosaic, evoking the movement of the sea and providing a distinctive and vibrant backdrop.

Availability for Filming

To shoot at Alicante’s most iconic promenade, it is necessary to contact the Alicante Film Office, which facilitates the necessary permits and procedures for filming in the city.

Best Days for Filming

  • Weekdays, particularly early in the morning, when there are fewer visitors.
  • Avoid weekends and the months of July and August, when the Alicante Handicraft Fair and other summer activities attract a large number of people.
  • Filming is not recommended between June 20 and 24, during the celebration of Alicante’s main festival, Las Hogueras de San Juan.
    Spring and autumn offer ideal weather conditions and a lower density of visitors.

Features and Facilities

Casa Carbonell: This unique building, located on the Explanada, features historic architecture that can be used as a backdrop or a main filming location. Its eclectic style and history add visual and narrative depth to any production.

La Concha: The open-air auditorium known as La Concha is another point of interest on the Explanada. This venue hosts numerous concerts and cultural events throughout the year and provides a versatile setting for filming.

Infrastructure and Access: The Explanada has good accessibility and is close to essential services such as hotels, restaurants, and shops. Additionally, its central location facilitates transportation and logistics for film crews.

Additional Facilities

Lighting: The Explanada features ornamental lighting that can be used for nighttime shoots without the need for extensive additional lighting.

Security: The area is regularly monitored, providing a safe environment for productions.

Accessibility: Easy access. Areas can be reserved for production vehicles in nearby locations.

 EXPLANADA DE ESPAÑA

Filming requests

All filming requests must be processed through the Alicante Film Office:

Email: info@alicantefilmoffice.com

Phone: (+34) 965 148 113 / (+34) 965 177 052

View the FILMING PERMIT APPLICATION FORM

Documents and forms

A period of 30 days is necessary to process permits that require traffic interruptions and/or reservations of parking spaces for vehicles. This is because a report by Alicante’s City Council Department of Safety and Traffic is mandatory.

The forms to request permission for filming can be sent through this web page.


Data Production Company









Type of production

Feature filmAdvertising spotTV programDocumentaryShort filmMusic videoOthers


Filming data

Filming with hand-held camera only






Filming date


Location map


Traffic interruption


Traffic interruption area map

Space reserved for filming vehicles

Vehicle reservation area map


Technical material

TripodTravellingCamera carGeneratorCraneOthers


 

In accordance with Data Protection Legislation, Regulation (EU) 20161679 of 27 April 2016, we inform you that your personal data will be processed, under the responsibility of the Municipal Tourist Board, in order to implement or answer your request appropriately.

• The data will be processed exercising the powers attributed to the Municipal Tourist Board by Law 7/1985 of 2 April, Regulator of the Basis of the Local Regime, and by Law 39/2015 of 1 October, Common Administrative Procedure of Public Administrations, and will not be ceded to third parties, except in the case of legal obligation of assignment to other organisms.

• By means of a request addressed to the Municipal Tourist Board, you may exercise your rights of data access, rectification, deletion and portability as well as limitation or opposition to its processing.

• Additional information: You can consult additional and detailed information on Data Protection on our website:
https://www.alicantefilmoffice.com/en/privacy-policy/

Fees

Municipal fees for the use of public spaces for filming must be paid to the Alicante City Council through the Public Space Occupation Department. Regulations and rates vary depending on the type of production, filming locations, and duration at each site.

If you have any questions, feel free to contact us: info@alicantefilmoffice.com, Tel: (+34) 965 148 113.

View Public Space Occupation Fees

https://www.alicante.es/es/normativa/tasa-ocupacion-temporal-terrenos-uso-publico-ejercicio-actividades-comerciales

Monastery of Santa Faz

Monastery of Santa Faz

Monastery of Santa Faz

indoors

Fachada 2
Fachada Santa Faz
la foto
Plaza Santa Faz 1
Plaza Santa Faz 3
Torre Santa Faz
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Fachada 2
Fachada Santa Faz
la foto
Plaza Santa Faz 1
Plaza Santa Faz 3
Torre Santa Faz
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The Santa Faz Monastery is a rectangular building with a truncated pyramid volume, located in a hamlet of the same name, 7 km away from the municipality of Alicante.

The compound includes the main church surrounded by the rest of its dependencies. The church’s architectural structure results from a range of renewals, notably an eighteenth-century renovation which gave the monument its current Baroque appearance.

The altarpiece of the main altar is of neo-baroque style. The composer Óscar Esplá and the artist Eusebio Sempere are buried inside. These two figures are the only contemporary personalities to have been buried in the monastery.

The sixteenth century tower is the only element left from the original building. It is located on one side of the monastery’s hortus courtyard, east of the cloister.

The Santa Faz Monastery holds a relic brought from the Vatican in the fifteenth century. Popular tradition holds that it corresponds to a linen with which Veronica dried the bloody face of Jesus on the way to Calvary.