Archaeological Museum of Alicante – MARQ

Archaeological Museum of Alicante – MARQ

Archaeological Museum of Alicante - MARQ

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MARQ museo arqueologico.Fachada.MARQ archaeological museum.Façade
MARQ museo arqueologico.Interior2.MARQ archaeological museum.Inside2
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MARQ museo arqueologico.Fachada.MARQ archaeological museum.Façade
MARQ museo arqueologico.Interior2.MARQ archaeological museum.Inside2
Marq7-2016
Marq10-2016
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The Archaeological Museum of Alicante, the MARQ, is situated in the former facilities of Alicante’s San Juan de Dios Provincial Hospital. Covering a surface area of 9,000 m2, the museum offers a full exhibition from the Paleolithic to Modern Contemporary Culture.

The building has the shape of a double comb with eight wings and two peaks at the end of the main body. The wings depart from two lengthwise corridors ending in staircases and a semi-cylindrical piece at the end.

The basements of the MARQ hold the amphora Depot, the warehouse of compacts, the collections’ research office and the restoration laboratory.

Finally, the facade of the museum incorporates balustrades and arches of diverse origin, pinnacles and stairways. The building’s classic line gives it an elegant and stately appearance.

The Mount Benacantil and Santa Barbara Castle are very close to the Archaeological Museum of Alicante.

Alicante – Elche Airport (ALC)

Alicante – Elche Airport (ALC)

Alicante - Elche Airport (ALC)

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Alicante-Elche Airport is situated 8 km southwest of Alicante. Due to its location, the airport serves a large part of the Spanish Levante. The airport used to have a substantial amount of charter traffic, but today most of the traffic is regular and international.

It is ranked fifth in the Spanish airport network based on the number of passengers, after the airports of Madrid-Barajas, Barcelona, ​​Palma de Mallorca and Malaga-Costa del Sol. Alicante-Elche airport is among the 50 busiest airports in Europe.

Santa María Basilica

Santa María Basilica

Santa Maria Basilica

History and Architecture

The Basilica of Santa Maria is the oldest religious building in Alicante, with its original construction dating back to the 14th century. This imposing Gothic temple, renovated in the 15th century after a fire, features a Baroque façade that reflects the contrast between its rich history and its architectural evolution over the centuries. Its asymmetrical towers, built between the 14th and 18th centuries, add a unique visual appeal, making it an ideal setting for any film production seeking a historical or dramatic atmosphere.

Inside, the basilica boasts a splendid Rococo high altar from the 18th century and richly ornamented chapels, such as those dedicated to the Immaculate Conception, Baptism, and Communion, creating perfect spaces for filming scenes requiring a solemn or highly aesthetic setting. The 1653 Valencian Baroque organ and the 16th-century baptismal font are additional visual elements that lend authenticity to any production aiming to capture the splendor of past eras.

A Cinematic Setting

The Basilica of Santa Maria is an ideal location for audiovisual productions of historical, dramatic, or period genres. Its Baroque façade, featuring the Virgin Mary sculpture by Juan Bautista Borja, combined with its intricately decorated interior, provides a majestic backdrop suitable for a wide range of genres, from religious films to historical dramas and thrillers.

Its main nave, without a transept, and the chapels nestled between the buttresses offer flexibility for diverse shot compositions and scenes. Meanwhile, the light streaming through its large Gothic windows adds a natural dramatic effect that enhances key elements of the visual narrative.

Adjacent Spaces

Beyond being an architectural gem, the basilica is strategically located near other cinematographically valuable sites, such as the Museum of Contemporary Art (MACA), the Plaza de la Santísima Faz, and Alicante’s City Hall. This allows for a fluid and versatile visual narrative that can seamlessly integrate both historical and modern exterior settings.

Technical Specifications for Filming Interior:

  • Main nave and chapels: Spacious interiors, perfect for long shots or choreographed action sequences. Controlled lighting is recommended to preserve historical elements.

  • Natural lighting: The interior benefits from natural light filtering through its Gothic windows, though artificial lighting may be necessary. Care should be taken not to alter the historic ambiance or damage surfaces.

  • Sound: The acoustics are exceptional due to the high vaults, making it an ideal location for capturing dialogues or musical scenes. However, preliminary sound tests are advised due to potential reverberations typical of such spaces.

Exterior:

  • Baroque façade: Ideal for wide shots or establishing shots that highlight its symmetry, punctuated by the two asymmetrical towers. Perfect for setting the historical context of a scene.

  • Plaza de Santa Maria: The exterior space in front of the basilica allows for the deployment of technical equipment, including cranes and cameras for panoramic or aerial shots.

Public Space Use and Safety Located in Alicante’s historic heart, any filming at the Basilica of Santa Maria must be carefully coordinated to minimize disruption to local traffic. Key planning aspects include:

  • Permits and authorizations: Managed through Alicante Film Office, authorization is required for public space occupancy, both in the plaza in front of the basilica and surrounding streets.

  • Set installations: Temporary sets may be installed around the plaza, provided they do not obstruct main entrances and that pavement and architectural surroundings are protected.

  • Public safety: If the plaza or parts of it are closed off, safety barriers and proper signage must be implemented to redirect pedestrians and ensure the safety of both the crew and the public.

  • Loading and unloading: The proximity to City Hall and other historic plazas offers nearby points for equipment loading and unloading. Coordination with local authorities is recommended to secure temporary vehicle access to restricted areas.

Facilities and Amenities

  • Loading and unloading zones: Nearby areas can be designated to facilitate equipment transport.

  • Electrical access: Portable generators may be necessary, subject to prior approval.

Parking Production trucks and support vehicles can arrange parking through Alicante Film Office. Given the limited access to the historic district, checking parking conditions in advance is advised.

Filming Availability

  • Hours: The basilica maintains regular worship and tourist visit schedules, so filming may need to take place outside these hours or on special days.

  • Best days for filming: Coordination with Alicante Film Office is recommended, as tourist traffic around the basilica may vary.

INDOORS

OUTDOORS

Address

Basílica de Santa María
Plaça. Santa María, 1, 03001 Alacant
Tel:(+34) 681 140 483
basilicaalicante@procuratiocultural.com
https://www.basilicaalicante.com/

Where to apply for filming permits

Basílica de Santa María
Plaça. Santa María, 1, 03001 Alacant
Tel:(+34) 681 140 483
basilicaalicante@procuratiocultural.com
https://www.basilicaalicante.com/

In case of doubt, you can contact the Alicante Film Office:

  • Email: info@alicantefilmoffice.com
  • Tel: (+34) 965 148 113
  • Tel: (+34) 965 177 052

Please note: For road closures or parking space reservations for production vehicles, applying for a permit is mandatory, as it requires an assessment report from the Alicante City Council's Traffic and Public Safety Department. Please check the filming application form for further details. A 7-day processing period is required for the necessary permits.

Learn more: https://www.alicantefilmoffice.com/en/how-to-shoot-in-alicante/

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

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6. Alicante. Concatedral de San Nicolás de Bari (3)
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6. Alicante. Concatedral de San Nicolás de Bari (3)
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The building of the Co-Cathedral of San Nicolas started in 1600, on the site of a former construction. The cathedral is Herrerian Renaissance style and is located in Alicante’s old town.

The church has a Latin cross layout. Inside, the fifteenth century cloister with two baroque doors, the altar and the 45-meter high blue dome stand out. The Communion Chapel, below the dome, is regarded as one of the finest illustrations of Spanish Baroque.

The interior was recently restored to celebrate the exhibition “La Luz de las Imágenes” in Alicante city, whose mission is to recover and disseminate Valencian artistic heritage.

Alicante’s Town Hall and the picturesque neighbourhoods of Santa Cruz and San Roque are very close to the Co-Cathedral of San Nicolas.

Monastery of Santa Faz

Monastery of Santa Faz

Monastery of Santa Faz

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Fachada Santa Faz
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The Santa Faz Monastery is a rectangular building with a truncated pyramid volume, located in a hamlet of the same name, 7 km away from the municipality of Alicante.

The compound includes the main church surrounded by the rest of its dependencies. The church’s architectural structure results from a range of renewals, notably an eighteenth-century renovation which gave the monument its current Baroque appearance.

The altarpiece of the main altar is of neo-baroque style. The composer Óscar Esplá and the artist Eusebio Sempere are buried inside. These two figures are the only contemporary personalities to have been buried in the monastery.

The sixteenth century tower is the only element left from the original building. It is located on one side of the monastery’s hortus courtyard, east of the cloister.

The Santa Faz Monastery holds a relic brought from the Vatican in the fifteenth century. Popular tradition holds that it corresponds to a linen with which Veronica dried the bloody face of Jesus on the way to Calvary.