Santa María Basilica

Santa María Basilica

Santa Maria Basilica

History and Architecture

The Basilica of Santa Maria is the oldest religious building in Alicante, with its original construction dating back to the 14th century. This imposing Gothic temple, renovated in the 15th century after a fire, features a Baroque façade that reflects the contrast between its rich history and its architectural evolution over the centuries. Its asymmetrical towers, built between the 14th and 18th centuries, add a unique visual appeal, making it an ideal setting for any film production seeking a historical or dramatic atmosphere.

Inside, the basilica boasts a splendid Rococo high altar from the 18th century and richly ornamented chapels, such as those dedicated to the Immaculate Conception, Baptism, and Communion, creating perfect spaces for filming scenes requiring a solemn or highly aesthetic setting. The 1653 Valencian Baroque organ and the 16th-century baptismal font are additional visual elements that lend authenticity to any production aiming to capture the splendor of past eras.

A Cinematic Setting

The Basilica of Santa Maria is an ideal location for audiovisual productions of historical, dramatic, or period genres. Its Baroque façade, featuring the Virgin Mary sculpture by Juan Bautista Borja, combined with its intricately decorated interior, provides a majestic backdrop suitable for a wide range of genres, from religious films to historical dramas and thrillers.

Its main nave, without a transept, and the chapels nestled between the buttresses offer flexibility for diverse shot compositions and scenes. Meanwhile, the light streaming through its large Gothic windows adds a natural dramatic effect that enhances key elements of the visual narrative.

Adjacent Spaces

Beyond being an architectural gem, the basilica is strategically located near other cinematographically valuable sites, such as the Museum of Contemporary Art (MACA), the Plaza de la Santísima Faz, and Alicante’s City Hall. This allows for a fluid and versatile visual narrative that can seamlessly integrate both historical and modern exterior settings.

Technical Specifications for Filming Interior:

  • Main nave and chapels: Spacious interiors, perfect for long shots or choreographed action sequences. Controlled lighting is recommended to preserve historical elements.

  • Natural lighting: The interior benefits from natural light filtering through its Gothic windows, though artificial lighting may be necessary. Care should be taken not to alter the historic ambiance or damage surfaces.

  • Sound: The acoustics are exceptional due to the high vaults, making it an ideal location for capturing dialogues or musical scenes. However, preliminary sound tests are advised due to potential reverberations typical of such spaces.

Exterior:

  • Baroque façade: Ideal for wide shots or establishing shots that highlight its symmetry, punctuated by the two asymmetrical towers. Perfect for setting the historical context of a scene.

  • Plaza de Santa Maria: The exterior space in front of the basilica allows for the deployment of technical equipment, including cranes and cameras for panoramic or aerial shots.

Public Space Use and Safety Located in Alicante’s historic heart, any filming at the Basilica of Santa Maria must be carefully coordinated to minimize disruption to local traffic. Key planning aspects include:

  • Permits and authorizations: Managed through Alicante Film Office, authorization is required for public space occupancy, both in the plaza in front of the basilica and surrounding streets.

  • Set installations: Temporary sets may be installed around the plaza, provided they do not obstruct main entrances and that pavement and architectural surroundings are protected.

  • Public safety: If the plaza or parts of it are closed off, safety barriers and proper signage must be implemented to redirect pedestrians and ensure the safety of both the crew and the public.

  • Loading and unloading: The proximity to City Hall and other historic plazas offers nearby points for equipment loading and unloading. Coordination with local authorities is recommended to secure temporary vehicle access to restricted areas.

Facilities and Amenities

  • Loading and unloading zones: Nearby areas can be designated to facilitate equipment transport.

  • Electrical access: Portable generators may be necessary, subject to prior approval.

Parking Production trucks and support vehicles can arrange parking through Alicante Film Office. Given the limited access to the historic district, checking parking conditions in advance is advised.

Filming Availability

  • Hours: The basilica maintains regular worship and tourist visit schedules, so filming may need to take place outside these hours or on special days.

  • Best days for filming: Coordination with Alicante Film Office is recommended, as tourist traffic around the basilica may vary.

INDOORS

OUTDOORS

Application for a filming permit

Filming permits must be applied for through the appropriate institution. If you have any questions, you can contact the Alicante Film Office:

E-mail: info@alicantefilmoffice.com
Phone: (+34) 965 148 113 / (+34) 965 177 052

Important information:

For road closures or to reserve a space for parking production vehicles it is mandatory to obtain a permit which requires the approval of the Department of Safety and Traffic of the City of Alicante. For more details, see the filming permit application form.

At least 30 days are required for processing the necessary permits.


Data Production Company









Type of production

Feature filmAdvertising spotTV programDocumentaryShort filmMusic videoOthers


Filming data

Filming with hand-held camera only






Filming date


Location map


Traffic interruption


Traffic interruption area map

Space reserved for filming vehicles

Vehicle reservation area map


Technical material

TripodTravellingCamera carGeneratorCraneOthers


 

In accordance with Data Protection Legislation, Regulation (EU) 20161679 of 27 April 2016, we inform you that your personal data will be processed, under the responsibility of the Municipal Tourist Board, in order to implement or answer your request appropriately.

• The data will be processed exercising the powers attributed to the Municipal Tourist Board by Law 7/1985 of 2 April, Regulator of the Basis of the Local Regime, and by Law 39/2015 of 1 October, Common Administrative Procedure of Public Administrations, and will not be ceded to third parties, except in the case of legal obligation of assignment to other organisms.

• By means of a request addressed to the Municipal Tourist Board, you may exercise your rights of data access, rectification, deletion and portability as well as limitation or opposition to its processing.

• Additional information: You can consult additional and detailed information on Data Protection on our website:
https://www.alicantefilmoffice.com/en/privacy-policy/

Fees

Municipal fees for the use of public spaces for filming must be paid to the Alicante City Council through the Public Space Occupation Department. Regulations and rates vary depending on the type of production, filming locations, and duration at each site.

If you have any questions, feel free to contact us: info@alicantefilmoffice.com, Tel: (+34) 965 148 113.

View Public Space Occupation Fees

https://www.alicante.es/es/normativa/tasa-ocupacion-temporal-terrenos-uso-publico-ejercicio-actividades-comerciales

Address

Basílica de Santa María
Plaça. Santa María, 1, 03001 Alacant
Tel:(+34) 681 140 483
basilicaalicante@procuratiocultural.com
https://www.basilicaalicante.com/

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

Co-Cathedral of San Nicolas

indoors

san nicolas3
6. Alicante. Concatedral de San Nicolás de Bari (3)
previous arrow
next arrow
san nicolas3
6. Alicante. Concatedral de San Nicolás de Bari (3)
previous arrow
next arrow

The building of the Co-Cathedral of San Nicolas started in 1600, on the site of a former construction. The cathedral is Herrerian Renaissance style and is located in Alicante’s old town.

The church has a Latin cross layout. Inside, the fifteenth century cloister with two baroque doors, the altar and the 45-meter high blue dome stand out. The Communion Chapel, below the dome, is regarded as one of the finest illustrations of Spanish Baroque.

The interior was recently restored to celebrate the exhibition “La Luz de las Imágenes” in Alicante city, whose mission is to recover and disseminate Valencian artistic heritage.

Alicante’s Town Hall and the picturesque neighbourhoods of Santa Cruz and San Roque are very close to the Co-Cathedral of San Nicolas.

Monastery of Santa Faz

Monastery of Santa Faz

Monastery of Santa Faz

indoors

Fachada 2
Fachada Santa Faz
la foto
Plaza Santa Faz 1
Plaza Santa Faz 3
Torre Santa Faz
previous arrow
next arrow
Fachada 2
Fachada Santa Faz
la foto
Plaza Santa Faz 1
Plaza Santa Faz 3
Torre Santa Faz
previous arrow
next arrow

The Santa Faz Monastery is a rectangular building with a truncated pyramid volume, located in a hamlet of the same name, 7 km away from the municipality of Alicante.

The compound includes the main church surrounded by the rest of its dependencies. The church’s architectural structure results from a range of renewals, notably an eighteenth-century renovation which gave the monument its current Baroque appearance.

The altarpiece of the main altar is of neo-baroque style. The composer Óscar Esplá and the artist Eusebio Sempere are buried inside. These two figures are the only contemporary personalities to have been buried in the monastery.

The sixteenth century tower is the only element left from the original building. It is located on one side of the monastery’s hortus courtyard, east of the cloister.

The Santa Faz Monastery holds a relic brought from the Vatican in the fifteenth century. Popular tradition holds that it corresponds to a linen with which Veronica dried the bloody face of Jesus on the way to Calvary.

Hermitage of San Roque

Hermitage of San Roque

Hermitage of San Roque

indoors

9. Alicante. Ermita de San Roque (3)
9. Alicante. Ermita de San Roque (1)
9. Alicante. Ermita de San Roque (2)
previous arrow
next arrow
9. Alicante. Ermita de San Roque (3)
9. Alicante. Ermita de San Roque (1)
9. Alicante. Ermita de San Roque (2)
previous arrow
next arrow

The Hermitage of San Roque is in the neighbourhood of the same name, on the hillside of Santa Barbara Castle. This small building has a basilica layout with a West-East oriented longitudinal axis. It was built in the sixteenth century and restored at the end of the nineteenth century.

There are two side chapels under small barrel vaults, with false buttresses on the outside. Guardiola Picó wished to give the building a neo-medieval character.

The main altar, which houses the ‘Christ of the Gypsies’ is semi-circular. Its diameter is shorter than the nave’s latitude. On the west façade, Guardiola Picó built a bell tower where the 1559 hermitage gate would have been. This almost rectangular-shaped tower is made with ashlar and horizontal brick lines, with a flared door, today blocked off.

The Parque de la Ereta and the Hermitage of Santa Cruz are very close to the Hermitage of San Roque.

Hermitage of Santa Cruz

Hermitage of Santa Cruz

Hermitage of Santa Cruz

indoors

10. Alicante. Ermita de Santa Cruz (1)
10. Alicante. Ermita de Santa Cruz (2)
previous arrow
next arrow
10. Alicante. Ermita de Santa Cruz (1)
10. Alicante. Ermita de Santa Cruz (2)
previous arrow
next arrow

The Hermitage of Santa Cruz is located on the hillside of Mount Benacantil, in the singular and picturesque Santa Cruz neighbourhood. It dates back to the last third of the eighteenth century.

It is a small rectangular building. The Santa Cruz procession celebrated on Holy Wednesday leaves from this spot. Costaleros descend carrying four religious processional floats through the steep and narrow streets of Alicante’s old town.